Sense of the phrase are in the vestibular ; manifestations;
4, the body in the sense of the phrase ; two parts, which means the language of the temple, the temple of the language, the language and build up the church, or that poetry should be at the temple said before, these words should be sacrosanct, it is absolutely loyal to the Sound of Music.
have something to say, is the basis of dynamic poetry. In all the text in writing, no special preparation for the poetry of language, nor the language of poetry is not available. branches have become the language of poetry, it is because the poet with their own Languages (non-power attributes) tell their own want to say, in that the process of mobilizing and using its own able to mobilize and use all the language skills, such as insight into the semantics, control language sense, faithful expression. in the three areas in two parts before and after the easy, good, and the middle part is not easy to control. Some poetry gives the impression that ; tasteless, feeling not good. the rhythm and to deal with the relationship between words and inappropriate self-expression, there is a lack of.
these issues, summed up the language of the scale, density, temperature, dimensions, hardness. to solve the problem sense of language, we must first solve the ; problem. and life, and the world of communication between the most basic sense of language is the transmission. sense of language, in poetry, plays an important role in creation.
smallest unit of poetry is the word, and then is the phrase, line group (composed of words and phrases phrase). The character of a minimum of words. here of the language, mainly refers to the poetry of words, phrases, and the line group to explore the sense of language, primarily poetic language of thought. poet heart, a sense of language in the build-up (non- the contents of a specific emotion, such as sadness, joy, etc.), it is only an empty form, requires the choice of the word poet to set the scope of relationships and strong or weak, cold, light and shade, and even the level of rhythm, length and speed. XU Jing Ya say, sense of language bear with the poet on the choice of words, on the rhythm of the set of grammatical relations established, also includes poems of color, hardness (non-semantic) for selection.
clearly sense of language issues is the third generation of poets Yang Li. in his 1985 poem Indus / (summer / parasol trees to the whole street / all cover a) / / now it is winter / tree leaves / early out / / corner is a large open space / addition to the two bins outside the / nothing / has been under the snow for a long time / Jie Liangbian on the roof / forged a thin layer / low Jie Liangbian room full of flat / house doors and windows of these / all in tightly closed at this time . , the plot thin layer of snow on the roof under the low room and shut the door, window hh cold landscape, the poet looked at it, then it does not look back to a poet, not only lost the things I share, and have lost Myths about the depth of the object. it just was flat out of the ground surface to show a look, attitude and distance, as if already exists there, as early as this poem the poet's life before and before. It is itself a kinds of structures, a universe, poet is showing it, because it so right and so he and co-exist in this world, perhaps it is often said, his eyes the things and situations, or maybe an occasional snow in the evening He found the street and street number of strange scenery, and then describe it to the paper, it is. This not only lost the culture of semantics, or even lost the feeling of modality, there is no joy, no depression, no love, but also No hate, poet, and things have shown indifference modality surplus. but even so, nor does it affect the poem in the reader feel the smooth, concise language sense. This sense of language, gives a convenient channel for the reader into the poem.
Victoria Special Wittgenstein famous painstakingly borders on and explore the proposition. Wittgenstein said, imagine a language is to imagine a way of life. From the semiotic point of view, a word into the poem, the same person was thrown into the crowd after the response, experience, There is no essential difference. How many ways to face the world, there is a sense of how many nuances of language.
However, this does not mean in any way, structure can produce a good sense of language text. On the contrary, random things put together No sense of language to speak of, poor sense of the phrase directly affect the viability of a poem mm Some people write poetry, this is the only written the first line to get stuck or painted out the reason.
Wu Wenguang, you go < br> Where Hunfan
tonight I love and hate, we finally got separated Noisy Nangnang
left an empty floor
like an old record did not want to
in other place students, often after a few years to reinforce the warmth of the hut remember to cover the life form (the youth gone, the world state, and so Renzouchaliang).
poetry is a living body, so it is natural. on a good sense of language poetry, we are used to express in one word : Nature. but some people think nature is , to be natural, poets need to calm, stable personality, organized their thinking as far as possible, in between a concept and another concept of stimulating the formation of a contact. thus, creating a personalized service expression a sense of poetic language to facilitate communication.
Second, sense of language and the language to see who can sit on a chair to his move up. He thinks he can do, and men no one can do it. But when he sat in a chair with confidence and want to move up their own, the result can be desired but known.
even if he fails, he still did not know why the failure (or perhaps, he thought his strength is still not big enough). Today people know that it is because the earth has gravity. Similarly, as manage language exercise the right to speak must seriously consider the poet a question: I can Language energy, master language skills, mastering the language is more realistic sense of the phrase, more meaningful.
characterization sense of language is the word, by the words, phrases and punctuation marks consisting of the language features. So, to say, sense of language is the poetry has a distinct personality , a unique combination of words. word combinations should be permissive, to have the logic to follow, this is the basic requirement. Meanwhile, the use of the word service and subject to the expressed needs, to have sex, a temperature, a color, with hard and soft, and so on, because the word is embedded in the poem, are responsible for specific tasks, which constitutes poetic language, including language environment, semantic representation and language effects. however, is not piling up the rhetoric and smearing mud words, set the number of words on the pit edge, it means that poetic excavation, and pragmatic context of the full sense of the beautiful? I do not think. On the contrary, the so-called rhetoric, the word mud pit will only affect word reading speed, increasing the burden on the aesthetic a direct negative effect is to build the sense of language flow, and poor, not Jane, unclean. destroyed sense of language, that is, the poet and self-destruction, and readers communicate with the world. English poet William Wordsworth to make the language of poetry close to the people language, tried to avoid in the poem rhetoric: > In fact, say that of the see similar lines, perhaps of that, do not write, there is no poetry to not really poetry. In fact, the Book of Songs in the Li Bai's United States, said it well. and some obscure sentence, but almost one can not tell.
Yan Yu believes that the language poets, for poetry, must correct and necessary. and the relationship between poetry, learn how to use their methods.
I remember, Sun Keeling described the third generation in the cultural deconstruction of poetry, the reference to two with the poem and Han Dong. The former in order to the personification of the Great Wild Goose Pagoda History: color sense and humanity, it is the destiny of the nation's symbol, a witness to the history of national suffering. can the latter to a completely different realm, Look around the landscape / and then down. become an object exists here and now.
I think the two poems, the former use of the imagination, jumping, white space and other performance practices, the use of parallelism, metaphor, metonymy and other rhetorical, sense of language showing a language standard scale, concentration, high temperature, dimensions trend on the characteristics of moderate hardness, while the latter approach only line drawing, showing a sense of the phrase-scale quasi-language, low concentration, temperature, level, dimensions trend, the hardness of hard (with some subvert the meaning) features two very different sense of language, to our aesthetic reasons but also because of creative thinking, of expression, expression, starting point, factors such as differences in writing time varies. Regardless of what these two high quality of work the lower, but at least one thing is certain: in the language sense of the phrase nonsense, if no function words, words without overtones. because the poem carries the most with the least content of the text is passed She added, which is determined by the characteristics of poetry ontology; Poetry is the language of the wizard, so since ancient times. verses to go over half a century of development the road, especially experienced a misty poetry represented a aesthetic height, master of Chinese language text written insight into the way negative sword Fleet of Foot, in the tortured soul, look at life, dialogue of the world at the same time, stick to your own voice, improve self-ability to speak.
1, the language of the scale, the core is the pursuit of accuracy
degree of language is a philosophical concept, is the unity of quantitative and qualitative change. language scale, there is also a problem of quantitative and qualitative change, unity is the doubt, is exactly the same writing requirements of any text. But in poetry, precise language, length short (this is also determined by the accuracy of the language). poet writing in text manage to have the accuracy as an important it into poetry; not accurate, I do not speak or speak. If I have to slow down the pursuit of overlap, to produce the purpose of contrast specific topics, but also pay attention to the text of the density, temperature and other factors.
early to write BASES The In short the heart to hard / hand to be accurate, fast, you know / the revolution is not a dinner / / Changsha only drink water / eat and Wuchang fish / simply / is dead / you can live / must be one .
poem, Everyone could see that, using the inch five children and a city died / acceptance supple / bless the good / punishment alone debauchery / Oh, this child had to go afar / So no one in the city / know / what is debauchery. How hypocritical, how painful, in the shameless, but not the two adjectives, a verb or adjective. they form a poetic necklace and a necklace nature, foreshadowing the role of the sentence, the former is bound to change the poetic to change, causing aesthetic ambiguity; the latter change is bound to reduce the pleasure of reading and hinder capture the poetic, the aesthetic impact of poetry.
2, language, concentration, the core is the language of rhythm
simply, the concentration of the so-called language, the poem refers to words, phrases, and the density of the line groups, and their tone stack out of the rhythm.
practice in poetry, a lot of work is almost there is no concentration at all, because it is very short very short, for example, third-generation poet Zhang trip with a short poem, only two lines of the poem: The language is very thin, but it also has its own rhythm. in an act of repeating the same behavior on the one image on top of a pile of the same image, or staggered off to form a stack, progressive, swing rhythm.
If we say that language poetry thin, can only produce a single rhythm, then a large concentration of poetry, will have a varied pace. Shen Haobo unusually quiet in the cold as if covered with some snow.
rain splashed a huge broom audiovisual edged into the respective people to scour the room warm.
so much rain in the dry north of how rare it reminds me of my southern home temperature and humidity.
but now I am in Beijing I am accustomed to running around in the dust in the wind hit me in the eye.
said, I said, a complex weather worked hard in this ghost Fuchengmen Air index every door startled me.
but I saw the rain, after all, stick it to dry how much it is washed cleanly
itch in my heart, as if it was found in lightly scratching my rain of the heart and the heart.
Oh God how I'm going on that I could actually think that some impulse toward lyrical rain.
how terrible I know I should not have educated me in the rain lyric Do not tell me
was not directed at the setting sun leaves a daze
sad it makes you pale face look increasingly carried away funny you look like a wretch.
really I do not comply strictly with the publication of these articles that the law make me look a lot of progress
adapted to the times; this make me look like a normal courteous brains Zhu Er.
This is how I can be friends tonight, in this vast expanse of rain , in this casual collision in the rain,
that I could think of no reason to parents in the home far away, O white-haired parents, you know,
far in Beijing, the mood at the moment his son, the son of the year graduation, will stay in the capital,
be a year are hard to go back again, as my brother in Shanghai, as the poet Xu Jiang said,
seeing the true day by day the hearts of mankind, may in This immense true, I lost my southern
lost my home, lost the home stretch of water, loss of hair of the father and mother to his hometown,
stranger alone in a foreign land, loss of parents son, always wandering in the troubled world in the truth.
their parents Oh, and now I can not learn like Guo'an, I know, not my body of course work,
Oh! I once again caught without reason livelihoods for the future and palpitation, I once again no reason to
for some unspeakable emotional. Oh, scattered friends, Oh, first love,
Oh, that another year is gone In the eyes of the exchange, uh hh
even now I can grasp all, how could I know they will not at some point,
a star turn on the night shift leave me , or be as heavy rain tonight so
dripping swept away, gone, forgotten, into a dust storm in a cup.
Oh, this is about to end my college years, when quarters also lying in disorder in the six brothers,
yesterday we still a drinking song, had not a few said they put their own for the future bustle,
teach small VI boss to Guangzhou; Five and brother go Zhejiang, a Hangzhou,
a Wenzhou, is both boundless; my youngest son to stay in Beijing, and we
the youngest brother, he alone went to the Dalian Bay cold warships.
oh hh I'm sorry, I'm vulgar, and in the sudden rain,
my custom, I'm actually in the lyrics, I actually like the poet, I do not like that,
like a woman one. forgive me it, so much rain, so cold the night,
I do not know, how do I avoid my sad fate
easy 36 line poem, nearly a thousand words, long sentences are the branches, sentence There is. But when we read, but not that long, dull, and even suffocating. because in the poem is a walk through the endless, clear and discernible sense of emotion and life, and poetry entitled ; the way the narrative form and calm contrast, brings a certain irony in effect.
In addition, the concentration of the language also includes Long Short Sentence combination of multi-phrase set phrase; repeated the same sentence, words and tone; to insist on using monosyllabic words in short sentences. that manage language, impressed me the writers are: Hubei, Foreword, the young master of Fujian, Jiangxi, Huang and so on. language concentration gives readers a unique experience, with a strong impact on the perspective effect, can deliver an endless supply of emotion flow hh these writers to readers grasp the idea of helping others have expressed the core.
3, language temperature, a poetic writer adjunct
publicity is no doubt that the language semantics do not mean the temperature of the ;, , warmth, joy, and so on.
When we read some concise and pleasure of poetry, they like to use these words to be summed. These poems give us the first view is the language of the presentation of the characteristics of the temperature, these writers in the flat and mentality, emotional stability, solid writing skills, based on the temperature through language, influence and regulate the reader's emotions, thought to promote communication and text outside.
founder of Poetry lakes with a poetic language Penan species-specific cold, read feel great momentum, indulgent, poetic sharp. poet moderate temperature or colder by the language of poetic expression of the theme, to achieve the purpose of publicity and poetic. His a pair of scissors from / towards the picture does not look like me where the guy's / head knife cut off / / and the rest of how things should be settled / to the face of such armed with lethal weapons, cut off the head of a photo / image After a suicide puppet / / just turned one year old daughter came to / from my hands the scissors away / / In the midst of the garden of an empty open desert / her own use of a weapon as a toy. His early works. Not long ago, he sent a group of poets poetry arena, still followed the style of their own language, continue to walk the road of solemn, impressive poetry.
poetry should be there artistically, there is taste, there implication sound, the so-called in the image, words are intended to do infinite The
L. hungry snow into the crescent in the texture of the
L. steamed steamed in the steaming said cries
I hand it over on the 2 cents.
is seen tricycle seat, score
placed under a cool 6% eating steamed
shaking crying
of the cycle, % gL concern.
in civilian poetry forum, I read a short poem, vocabulary, and they are warm, hot. However, this short poem, I feel it is: cold, cold! can imagine, as if the writer was sitting on the fire, standing on cold Among the wind, there is a wish to tear himself, smashing their own, abandoned his own impulses, her voice has shown that to pull off, so the fun sense of language, the poet's mind is so hard and cold, asked me to admire .
fresh bloody I saw the water standing on the shore
depleted
I jumped into the dry bed of the central
until the sun's BBQ
I once wrote a poem on the DPRK. including one called
money can point one four abalone
Threepenny
two dollars a cotton underwear, you can clean and comfortable hotel
stay all day (and free breakfast)
In Pyongyang, the RMB is very strong
said the dollar than the more popular dog
in Nanchang, if you have only three hundred
you dare into the five lakes hotel
even on the street do not want to
let alone in the capital of Shenzhen, Shanghai
Pyongyang
in socialism you can live much ţ��
This time, I installed a full three thousand yuan
fuck I'm thrilled I kept
eat where they go shopping
I just give ten dollars
female tour guide tips let me kiss your fill
she said Thank you! Thank you!!
Fuck! my beast
China in Korea, like a rich
poem, rich is not rich, not the beast beast; happy not happy, thank you not thanks. keep tears of laughter, a smile bitter, helpless the other hand, the survival of our state. This is an irony, to the other methods can not match the performance results. Although the poem is hardly any sense of the language with temperature, but the whole poem to the the impression is like the flame on the flying snow, warm water flowing under the ice.
4, language, orientation, expression for the selecting the best offer possible
(1) one dimension: over semantics < br> while the rigidity of the language from the language process (the process of semantics) and continue to save, constantly re holding up the language beyond the infuriating Super quality and capacity of semantics. / When my car drove into the / Miss Wanda is a shower / I can not imagine / it is a woman / after a bath / her with her hair. These three words began a poem. Miss Wanda looks like a name, but it can also be a place, as he is a man, but also a woman. In short, starting from the Miss Wanda, with the possibility of a variety of arrival. different significance in the sense mm are back, towards the center, returned to their homes.
This is an orientation towards the language of deconstruction and transcendence, liberation semantics of the language itself, in the liberation process to achieve the purpose beyond. Again, the peel Kyrgyzstan Timberwolves on the grid, Qin Feng (I must mention the two men, although there are some people who are doing the same work, but I still want that to them, their language ability has given us a lot of inspiration.) The former Poets began writing poetry since 1984 to 2001 the representation of work. Kyrgyzstan Timberwolves grid even in the 90's 80's is not a ubiquitous poet, not a man of more. As a Yi, he of contemporary Chinese poetry contributions beyond the there is no simple and bright. He not only included, but also outside, this sense of distance, duality, this , Naipaul's India in English, Ji Yi Timberwolves cell lineage of the Chinese. a genius of the Yi people, his aim is Chinese, is a great blessing in Chinese. He writes: a bowl, and eat more comfortably . really feeling too! there Nonsense / clear, bright, when / I'm standing (sitting too) / moonlight reading a book / punctuation marks are clearly visible / Xichang nothing like the moon / It just great. How pure, how desirable!
I have to write Qin Feng, not only because he is my way onto the poetry spiritual support, but also because he is a master of Chinese language expert. Qin Feng insisted spoken writing, proposed the , no gas Guzuogaoshen College, there is no feeling of decadent Johnson, no hazy foggy, not empty and the popular low-profile pitched nonsense, he is different from the atmosphere in the Kennedy chic but also from Iran fresh, clean sand. He scrawled a complex look simple and vigorous life, poetry, life in hardship and diverse beauty to find clear pure poetry, life in the morbidly bizarre poetry plain looking healthy. In fact, oral poetry is very difficult write, I try to turn some of his poems written in spoken language and understand some of the profound, simple and poetic some, but very difficult. called Horse Road / 18 years later / or named Martha Road / no one call it cow Road / or Jiaolv Road / have a drink with friends / Wolf said / Horse Road is immediately to the / immediately to / this is very good / look on time / good / is an educated man the poet is not facile to easily put together, where the poet is not talking nonsense. We read very smoothly, the poet to write under a lot of effort really, and poetry can be written to such a degree that state is already high. < br> (2) dimensions of the two: light writing
era we live in, along with the relative weakening of the ideological pressures of life significantly improved degree of freedom. in the cultural signs, and a light dimension Aesthetics has been revealed. from print to electronic media technology changes, indicating that the weight of the text to the image of the light possible, and a TV, video, network and other components of the image world, then declared the advent of. visual images to meet the needs of the liberation of the human senses (visual and auditory senses in the perception of all senses, while the other senses are in a state of relative ignorance.) entertainment, fashion, casual style of these themes hh doctrine lifestyle. ..
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